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Showing posts from January, 2020

INDEPENDENT ALBUM RELEASE: Sarah Schonert, “Songs About Sounds”

I know a few too many people who have set aside their hopes for a career in art and/or music because their spouse came along, then the kids. Now there’s laundry to do and bills to pay. Making art seems trivial now. Besides, after looking into the eyes of your child, how could you ever hope to create anything more amazing than that anyway? What other point is there? All you have to say to the world is in this little human being you helped invite here. Bullshit obviously. There are plenty of projects which transcend chores and species duplication. Sarah Schonert is a musician and mother from Peoria. She writes, records, and produces her own music from her home studio. This is how her newest release, Songs about Sounds , became her fourth official LP and TENTH (!) album. Sarah is also an engineer, designer, and painter, so shut up about how busy you are to do that stuff anymore. Her music could be described as Kate Bush or Tori Amos reinterpreted by Jean-Michel Jarre. Sarah m

INDEPENDENT ALBUM RELEASE: Robertas Semeniukas, "Backstage Stories"

Robertas Semeniukas’ new album Backstage Stories is a 20-track tour de force of grandiose, crunching guitars occasionally accented by his Lithuanian vocals, delivered rapid-fire on the opening track, “Kai nieko nebelieka,” as if he’s rapping. During certain points he snarls his lyrics with such emotion that not being able to understand him is actually a little frustrating. You have no idea what he’s singing, but he certainly seems to mean it.  Google Translate helps with the titles at least. The second track is a pleasing, softer standout number that includes (as many do) a duet with a female singer. It’s entitled “Nesustok,” which means “Don’t Stop.” “Kai Tu Sugrisi I Namus,” another melody-heavy duet, is translated into “When I Return You Home.” The songs titled in English are predictably instrumentals. The best of these is “Flying High (S.V.J.S.),” a showcase for Semeniukas’ nimble fret-hammering. (To be exact, only 8 of the songs have vocals.)  An album titled Backsta